Music makes true sense in Africa. African music is something very much integrated with pleasure, humanity, and religiousness in Africa. African music has a history of centuries-old mixed with African traditions, Moroccan Disco Tapes, and the collection of a wide range of traditional tribal music. African music is a blend of soul, feelings, arts, culture, and traditions perfectly displayed in a vital shape.
In ancient times African Music was widely influenced by Tigray songs, Damara music, Eyadini songs, and Zambian classic hits. Many countries in the African continent produce music, but the most famous in this list are Nigeria, Congo, Cameroon, Ghana, with the note names in African Music are Koffi Olomide, Papa Wemba, Madilu, King Kester Emeneya, and Peggy Tabu.
African music is the best source considered for soul music, hip hops as well as fast based music and also somehow for slow trance based compositions. African mixtapes are a really good source to have the best African and traditional music downloaded. African music also helps to connect people in a variety of ways, strengthening the fabric of the community, which in turn reinforces commitment to supporting each other towards mutual health and prosperity. Another crucial role of music in Africa is as a mode of communication. Talking drums, signal drums, songs, and the sagas of the historian griots each communicate different types of important information.
What Are The Best Types Of African Music?
Music in Africa is no-doubt a passion more than enjoyment or pleasure. There are so many types of music produced in Africa. Soukous, Juju, Jaija, Oziddi are some of the most popular types of key music produced in Africa. People in Africa are very much crazy about music, and they are most excited to have their traditional music with them.
Awesome Tapes has a huge collection of African artists and provide music for the listeners who are the best-needed collections for Africans. African music has a vital aspect of popularity not just in Africa but also worldwide. African music is the best soul-based music generated mostly in Egypt too. Egypt is the biggest culture and music enriched country with an outstanding rich history and ancient cultures.
African music typically depicts the awesomeness of African music, its vast culture, and also about the latest trends including classic and traditional touch too in music for the best engagement for the people. Awesome tapes provide with the best and awesome music mix, and popular artists including Khalifa Gueye, Shaka Bundu, Paapieye, Sato Na Hangana, and many other more artists who provide with the best music ever for the listeners.
What Is The Diversity Of African Music?
Despite
their diversity, traditional African musical forms share some common traits.
The emphasis is placed more strongly on rhythms than on melody and harmony.
Repetition is used as an organizing principle on top of which improvisation is
built. African music is mostly performed by groups of musicians, frequently
employing polyphony, polyrhythm, and a conversational style of music and
interlocking.
The
most frequently used form in African
musical traditions consists of the use of ostinato, or repeated short
musical phrases with the accompaniment of melodic-rhythmic patterns. For
example, in the call and response method, a leader usually sings a phrase with
a chorus singing back a response. Two or more melodies may be combined to form
larger sectional formations. Contrast is achieved through a series of musical
movements or “acts,” each consisting of a section repeated several times.
Rhythmic Structure
Rhythm
is the most distinguishing characteristic of African musical tradition. Four
basic elements characterize the African rhythmic structure. They are an equal
pulse base, a metric time arrangement, a specific organizing principle unifying
a diversity of simultaneous rhythmic patterns together, and an exact starting
point for rhythmic groupings.
Texture
African
music, from the communal nature of African society, is marked by the
simultaneous sounding of two or more pitches. Melody and rhythm are interwoven
within this dense structure of various instrumental and metric combinations.
Ornamental devices, either vocal or instrumental, are commonly used to create
additional layers, providing a richer density. Another important feature of African music is its related movements
or body percussions, such as hand-clapping, foot-stomping, and dance. Body
movement is strongly encouraged by this type of music.
Text/lyrics
African
music is often used to transmit messages and ideas and to record and recount
historical events. Consequently, the meaning of the texts and their relation to
the music especially important.
Polyphony
The
composition of African music employs polyphony. Polyphony is defined as the
composition of multiple simultaneously sounding and rhythmically independent
parts. In such a composition, the originating melody carries given more
importance than the resultant harmony. The Zulu choral music of South Africa is
an example of vocal polyphony. When this music is performed, individual voices
will enter at different moments cyclically and continuously, giving rise to a
complex and constantly shifting texture.
Repetition
Most
African composition is based on the repetition of a musical unit. It is that
repetition that holds together the other musical units of the composition.
These other units are structured with great freedom related to the first unit,
producing their own rhythmic pattern that coincides only occasionally with that
of the other units and with the basic pulse. For example, in the mbira music of
the Shona people of Zimbabwe, a repeated pattern is established by the
interaction of various parts, and the musician develops an improvisation out of
this core pattern.
Call and response
The
call and response is a form of music composition wherein a vocalist or
instrumentalist will sing or play a phrase and another vocalist or
instrumentalist will answer with another phrase creating a lively exchange.
Hocketing
Hocketing
is the sharing of rhythmic or melodic lines between two or more players, one
part resting while the other part performs a note or notes. An essential
element of hocketing is integration—the working together and interlocking of
the parts. In a more general sense, fast alternation of short groups of notes
between voices, instruments, and timbres is a key element in the polyphonic and
polyrhythmic structure that is distinctive too much of the music in sub-Saharan
Africa.
Musical instruments
Besides
using the voice, which has been developed to use various techniques such as
complex melisma and yodel, a wide variety of musical instruments are used in
African music.
These
include a wide array of drums. Drums used in African traditional music include Tama talking drums, bougarabou
and djembe in West Africa, water drums in Central and West Africa, and the
different types of ngoma drums (pronounced by some "engoma") in Central
and Southern Africa.
Besides
the numerous drums, African percussion instruments can be divided into two
broad categories: Instruments with rhythmic functions and instruments with
melodic functions. Large gongs, twin gongs, slit gongs, and ritual gongs;
rattles and foot rattle; woodblocks, bells, and double bells are examples of instruments with rhythmic functions.
Other percussion instruments used for rhythmic parts include shakers, such as
the kosika, rainsticks, and woodsticks. The melodic instruments include string
instruments, (musical bows, different types of harps and harp-like instruments
like the Kora as well as fiddles), many types of xylophone and lamellophone
such as the mbira, and different types of wind instrument like flutes and
trumpets.
A
more specific classification can be made by categorizing them into groups
namely, chordophones, idiophones, aerophones, and membraphones, following the
Hornbostel-Sachs system of classification for musical instruments.
Membraphones
Membraphones
are instruments that produce sound by a vibrating membrane. The most prevalent
type of membranophone, drums, are utilized as both melodic and rhythmic
instruments and come in a variety of shapes and sizes. Some of these drums are
beaten with the hand, while others are beaten with a stick or rubbed. Some are
single-headed and some double-headed and they are played in ensembles of
varying sizes. These include the ngoma kettledrums of South Africa, the West
African hourglass pressure drum, bompili clay pot drums usually played by
women, frame drums, and countless other drums are played throughout Africa.
Chordophones
Chordophones
are instruments that produce sounds with vibrating strings, sometimes plucked,
sometimes struck, sometimes with a bow. One of the simplest and the most
widespread of these instruments is the musical bow. Types of the musical bow
included the earth bow, the mouth bow, and the resonator bow. An earth bow is
made by planting one end of a flexible pole in the ground and bent it at an
angle to the ground. To the end of the pole, attach a string and on the other
end of the string attach a stone or a small piece of wood which is planted in
the ground. The mouth bow is formed of a string that is attached to both ends
of a flexible pole such that the pole is shaped to form a bow with the string.
The string is held in the mouth and stuck on a spot along its length. The mouth
will help alter the amplification of the original sound of the struck string.
The
resonator bow is a type of mouth bow, but with a calabash resonator fixed at
the middle.
The
kora, a multiple resonator bow, is one of the most important musical
instruments in West Africa, usually played by the griot, or village historian.
The kora is made from a natural calabash cut in half and partially covered with
cow skin, with a hardwood post running through it. Between twenty and
twenty-five, strings run the length of the instrument, passing over a bridge
that rests on the stretched skin cover.
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Summary
Africa
is the most diverse land with many cultural, religious, and other traditions,
making it the most vibrant and diverse continent on earth. The music of Africa
is as vast and varied as the continents many regions, nations, and ethnic
groups. The African continent comprises approximately 20 percent of the world's
landmass and has a population of roughly 934 million.
African
music is as diverse as its cultures and peoples and has flowered in many
indigenous forms as well as been shaped by foreign influences.
Although
there are many different varieties of music in Africa, there are several common
elements to the music, especially within regions. The concept of music in
Africa, especially in sub-Saharan Africa bears a difference from other regions
and cultures.
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